CINEMATIC Film LUTs

  • 10 Unique Cinematic LUTs for Rec709 Standard, GH5 VLOG, Sony SLOG 2, SLOG 3, REDLOGFILM and DJI DLOG.

    These LUTs can be used on a wide range of footage. Each one has its own great use that work for sunsets, cloudy, sunny, indoors etc.

    Included in this pack are 10 LUTs for each camera's LOG profiles. There are 4 folders for each camera with 10 LUTs in each folder.

    Compatible cameras - Any camera using the Rec709 folder. LOG formats - VLOG, Sony SLOG2, SLOG3, Sony A7S, A7S2, FS700, FS7, FS5, RED Cameras, DJI Drones DLOG, MAVIC PRO, PHANTOM 4 PRO and others that support these log settings.

    • Instant Worldwide Download
    • Requires No Experience and No Installation
    • Created by Film Makers
    • Programs Supported - Premiere Pro CC, After Effects CC, Final Cut Pro X, Speedgrade, Photoshop, Da Vinci Resolve, Sony Vegas 13+, AVID and many more.
    • The different camera LUTs are only guides to use on specific cameras. You can use any of these LUTs on any camera by using the Rec709 folder.
    • Package Contents - 10 x CINEMA LUT's for Rec709, GH5 VLOG, Sony SLOG2/3, REDLOGFILM and DJI D-LOG. Instructions.

 

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CINEMATIC LUT PACK

These LUTs can be used on a wide range of footage. Each one has its own great use that work for sunsets, cloudy, sunny, indoors etc.

Included in this pack are 10 LUTs for each camera's LOG profiles. There are 4 folders for each camera with 10 LUTs in each folder.

SLIDER COMPARISON

Here is a series of snapshots from actual footage featuring our LUT Packs in action.

Click your mouse or thumb on the slider to drag it sideways.

Benefits of LUTs


  • You can give your film a quick grade on that project that is due in for tomorrow
  • LUTs can make your video look professional in seconds
  • Find it hard to color grade LOG footage? LUTs can bring LOG footage back to rec709 standard color or any style you want
  • You can continue to customise the LUTs using your in built color tools

cREATED BY FILM MAKERS

We are a team of Film Makers and Colorists who have been creating LUTs and Lens Flares for ourselves for many years.

We found the struggles of color grading LOG footage when we first encountered it and it had to be solved. We then decided how much it would help other film makers to get a step in the door into the color grading world without the inconvenience of learning how to grade LOG and rec709.

Color grading isn't an easy task, it is an art in itself, so if we can help others achieve specific looks with convenience then this makes us happy.

WORKS in all top EDITING PROGRAMS

  • Premiere Pro CC
  • After Effects CC
  • Final Cut Pro
  • Speedgrade
  • Da Vinci Resolve
  • Photoshop
  • Sony Vegas 13+
  • AVID
  • Filmora
  • Luma Fusion
  • Edius
  • And any program that can import LUTs

SUPPORTED CAMERAS

  • Rec709 (For all cameras using standard color)
  • Black Magic BMD Film
  • RED GAMMA3
  • REDLOGFILM
  • Sony SLOG2
  • Sony SLOG3
  • Panasonic VLOG
  • DJI
  • GoPro using rec709 folder
  • Fujifilm using rec709 folder
  • Canon using rec709 folder
  • Nikon using rec709 folder
  • GoPro using rec709 folder
  • Kine Infinity using rec709 folder
  • iPhone using rec709 folder
  • All phones (Samsung, Google etc.) using rec709 folder

RED Gemini