Filmic Tone LUTs

  • The Ultimate Tone LUTs

    Our Tone LUTs are a great addition to your preset library. Featuring 10 LUTs designed specifically to work well with skin tones and give a dark moody vibe.

    These Rec709 LUTs are for use with all cameras shooting standard or neutral colors. If you shoot LOG you will need to do an S-Curve/Contrast adjustment or use a LOG - Rec709 conversion LUT. We provide inside this pack a Sony SLOG2/3 - Rec709 LUT and a VLOG - Rec709 LUT.

    ✓ Download instantly after purchase

    ✓ 24/7 Support

    ✓ Free Regular Updates

    ✓ LUT file format: .cube

    ✓ No installation required, just import them

    ✓ Over 15 years of experience in color grading

    ✓ For professionals and beginners

    ✓ Works on most editing programs (scroll down for details)

    ✓ Inside this pack - Clean LUT Packs SLOG2/3 and VLOG, Tone LUTs and instructions.

    ✓ Tutorials included

    ✓ Created by Colorists & Filmmakers

     

    • Windows/Mac Compatible
    • No Installation Required
    • Programs Supported - Premiere Pro CC, After Effects CC, Final Cut Pro X, Speedgrade, Photoshop, Da Vinci Resolve, AVID, Sony Vegas 13+ (Vision Color LUT plugin needed), Filmora, Edius, LumaFusion and many more.
    • You can use any of these LUTs on any camera. For LOG you will need to adjust the contrast and saturation settings using your inbuilt color tools or get a LOG - Rec709 conversion LUT for your LOG settings. We have provided our Clean LUTs SLOG2/3 - Rec709 and VLOG - Rec709 inside this LUT Pack.
    • Package Contents - 10 Ultimate Tone LUTs, Clean LUT Sony, Clean LUT VLOG and instructions.

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FILMIC TONES

10 Rec709 LUTs to give you that Instagram tone. These LUTs work really well with skin tones, studios, indoors & outdoors.

SNAPSHOTS FROM VIDEOS

Here is a series of snapshots from actual footage featuring our LUT Packs in action.

Works on summer films Film LUTs Cinematic LUTs

REDLOGFILM - Winter Lifestyle LUT pack

Studio Lens Flares Film LUTs Cinematic LUTs

Tone 2

Spectrum Lens Flares 4K Film LUTs Cinematic LUTs

Tone 2

Works on summer films Film LUTs Cinematic LUTs

TONE 5

Studio films Film LUTs Cinematic LUTs

Tone 2

Works on summer films Film LUTs Cinematic LUTs

Tone 2

Spectrum Lens Flares 4K Film LUTs Cinematic LUTs

Tone 9

Studio Lens Flares Film LUTs Cinematic LUTs

TONE 2

Studio films Film LUTs Cinematic LUTs

Tone 2

Studio Lens Flares Film LUTs Cinematic LUTs

TONE 7

Studio films Film LUTs Cinematic LUTs

Tone 3

Works on summer films Film LUTs Cinematic LUTs

TONE 7

Studio films Film LUTs Cinematic LUTs

Tone 7

Studio films Film LUTs Cinematic LUTs

TONE 7

Studio films Film LUTs Cinematic LUTs

Tone 9

SLIDER COMPARISON

Here is a series of snapshots from actual footage featuring our LUT Packs in action.

Click your mouse or thumb on the slider to drag it sideways.

Tone 9 - Rec709

REC709 - Tone 2

LOG - Tone 7

Tone 3 - REC709

LOG - Tone 3

LOG - Tone 1

Customer Reviews

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Stunning LUTs

During the editing process do we use the Bounce Colour LUTs and they are stunning and helps up to create this amazing look.

Highly recomend all the package to friends and clients.

Benefits of LUTs


  • You can give your film a quick grade on that project that is due in for tomorrow
  • LUTs can give your video a professional look in a short space of time 
  • Find it hard to color grade LOG footage? LUTs can bring LOG footage back to rec709 standard color plus an additional film look while maintaining high dynamic range.
  • You can continue to customise the LUTs using your in built color tools

 Film LUTs Cinematic LUT
 Film LUTs Cinematic LUT

Collaboration with Gigs

Make everything look like an Instagram Filter.

✓ Bio-degradable Sunglasses
✓ Polarised
✓ UVA/UVB 100% Blocking

Beautiful colored lenses that fill your day full of vibrance.

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cREATED BY FILM MAKERS

We are a team of Film Makers and Colorists who have been creating LUTs and Lens Flares for ourselves for many years.

We found the struggles of color grading LOG footage when we first encountered it and it had to be solved. We then decided how much it would help other film makers to get a step in the door into the color grading world without the inconvenience of learning how to grade LOG and rec709.

Color grading isn't an easy task, it is an art in itself, so if we can help others achieve specific looks with convenience then this makes us happy.

WORKS in all top EDITING PROGRAMS

  • Premiere Pro CC
  • After Effects CC
  • Final Cut Pro
  • Speedgrade
  • Da Vinci Resolve
  • Photoshop
  • Sony Vegas 13+
  • AVID
  • Filmora
  • Luma Fusion
  • Edius
  • And any program that can import LUTs

SUPPORTED CAMERAS

  • Rec709 (For all cameras using standard color)
  • RED GAMMA3
  • DJI
  • GoPro
  • Fujifilm
  • Canon
  • Nikon
  • GoPro
  • Kine
  • iPhone
  • All phones (Samsung, Google etc.)

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