Atmospheric Film LUTs

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Customer Reviews

Based on 3 reviews
67%
(2)
33%
(1)
0%
(0)
0%
(0)
0%
(0)
T
Triya Media Studios
Professional Quality

The LUT'S are of professional quality and give your videos a great tone in color, I do recommend them to professional video studios, thanks,
Cheers.

G
GROSU Catalin

An excellent product. It made my day!

S
Santiago Sanchez

Atmospheric Film LUTs

ATMOSPHERIC LUTS

Atmospheric Film LUTs aim is to let you achieve a film look with pretty much any type of scene.

Inside are 4 unique LUTs that work on nearly all types of footage. Each of the 4 LUTs give a different look to each other. We have designed each one to work direct with most popular types of specific cameras LOG profiles. Also there are rec709 versions which can be used on any camera using standard color (rec709).

LUT 3 - REDLOGFILM

SLIDER COMPARISON

Here is a series of snapshots from actual footage featuring our Atmospheric LUT Pack in action.

Click your mouse or thumb on the slider to drag it sideways.

LOG - LUT 1 

REDLOGFILM - LUT 2 

rec709 - LUT 2 

LUT 3  - rec709

CUSTOMERS USING OUR ATMOSPHERIC LUTS

Pictet Asset Management

Stunt Camera Crew

Laventi Watches

Customer Reviews

Based on 3 reviews
67%
(2)
33%
(1)
0%
(0)
0%
(0)
0%
(0)
T
Triya Media Studios
Professional Quality

The LUT'S are of professional quality and give your videos a great tone in color, I do recommend them to professional video studios, thanks,
Cheers.

G
GROSU Catalin

An excellent product. It made my day!

S
Santiago Sanchez

Atmospheric Film LUTs

cREATED BY FILMMAKERS & COLORISTS

Established in 2015 by a small team of UK based filmmakers and colorists, Bounce Color was
founded to solve the biggest problems we faced. We wanted to make the editing process quicker and more colorful,
without losing any quality.

Tutorials

We have created some in depth tutorials to help you learn how our LUTs & Assets work in your editing software.
Please take a look at our tutorials below:

Tutorials

WORKS in all top EDITING PROGRAMS

  • Premiere Pro CC
  • After Effects CC
  • Final Cut Pro X
  • DaVinci Resolve
  • Photoshop
  • Vegas Pro
  • Filmora
  • LumaFusion
  • Pinnacle Studio
  • Edius
  • AVID
  • Speedgrade

+ any software that can import LUTs

SUPPORTED CAMERAS
& COLOR SPACES

We provide all of our Creative LUTs in Rec709 (Rec709 is a technical term for standard color).

We also provide Conversion LUTs for all of the below, so you can use our Creative LUTs on your Log footage:

  • Rec709 (All of our LUTs work on all cameras using standard color)
  • Blackmagic BMDFilm Gen4 & Gen5
  • RED Gamma3
  • RED RedLogFilm
  • Sony SLog 2 & SLog 3
  • Sony Cine4 using Rec709 LUTs
  • Panasonic V-Log
  • Canon C-Log, C-Log2 & C-Log3
  • DJI D-Log
  • Fujifilm F-Log
  • Nikon N-Log
  • Arri Log-C
  • GoPro using Rec709 LUTs
  • Kine Infinity using Rec709 LUTs
  • ZCam using Rec709 LUTs
  • iPhone using Rec709 LUTs
  • All phones (Samsung, Google etc.) using Rec709 LUTs
RED Gemini

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